He could walk that tightrope between the dread we can feel about the darkness of humanity and the way that we can laugh at it. But Hitchcock didn’t let it become a somber watch - it was a roller coaster instead. There are a lot of shows that can get too dark, without any breathing room. Hitchcock’s own throws to and from commercials had these quips about the haunting, dark thing he’d left us on. It has nothing to do with morality.īut even though these episodes touched upon dark places of the human psyche, they were playful and self-aware. Because he understood that the central alignment you have about character is psychology. That’s the uncanny thing about Hitchcock: He found a way to align you with these unscrupulous characters, and get you to root for them. And I found myself following and rooting for a murderer. It felt like I was watching true, pure visual storytelling for the first time. So to watch this opening, which is essentially wordless, and to see how the story is conveyed through compositions, camera moves, angles, inserts - it was all brand-new to me. And the visual medium belongs to the filmmaker, not just the writer. Presenting Alfred Hitchcock Presents Podcast: Number Twenty-Two (S2, E21) Locked post. Open menu Open navigation Go to Reddit Home. A place to discuss Alfred Hitchcock and his films. It’s clearly not: TV is and always has been a visual medium. 4.8K subscribers in the Hitchcock community. Later, I would constantly hear about how TV was a writer’s medium, which always felt silly to me. “Alfred Hitchcok Presents”: Hazel Court, Alfred Hitchcock, Laurence Harvey, on set.
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